Editing a film

The North Face’s Head of Production Kaki Orr on Finding Her Place in Production

The beautiful thing about being a producer is that there’s no real job description. Also, the ugly thing about being…

‘Minari’ Editor Harry Yoon, ACE on Audience/Character Connections

Learn the acclaimed editor’s guiding principles for editing the Oscar-nominated film for universal appeal.

An Aural Report on the Oscar-Winning Edit of Sound of Metal With Mikkel E. G. Nielsen

Meet Mikkel Nielsen, the editor who lives for 'The Project.' Discover how his relentless dedication led to BAFTA and Critic's…

5 Essential Elements of Branded Content from The North Face’s Production Team

Go behind the scenes of Lhotse with North Face’s creative team to learn key principles for your projects.

Go Further Behind the Work With Season 2: In-depth Studies on the Art of Filmmaking for Brands

Behind the Work is a series that lives at the intersection of advertising and film, and pulls the curtain back…

Case Study: How Stink Studios Built a Grammarly Campaign Entirely Out of Filmsupply Footage

Learn how Filmsupply footage turned obstacles into opportunities for Grammarly's three-spot campaign.

5 Examples of Production-Free Ads That Work

The past year has taught us a lot about what really matters, and the same goes for advertising. As productions…
Tools for Film Producers

Tools Every Producer Needs, Recommended by Producers

We spoke with some award-winning producers and production companies, compiling a list of the best all-around tools to set your…

The Miracle of Life: Harnessing Trauma, Puppets, and Two Bold Imaginations

Several times during our conversation, Director Rune Milton Olsen literally jumped out of his chair and started pacing around the…